New and Debut: Lucy Parker


Here is another New and Debut post and I'm delighted to introduce to you Lucy Parker, author of contemporary romance. I read her debut novel, Act Like It (review), a romantic comedy set in the theatre world of London and I enjoyed everything about it. I was lucky enough to get an ARC of her next novel, Pretty Face, which comes out on Feb 20 and which in my opinion is even better than her first book. Read on to learn more about Lucy Parker, her upcoming book and a short excerpt from Pretty face. 

Meet Lucy

1. Tell us about yourself and why did you become a romance writer?

I’m probably similar to a lot of people in that I started writing stories at a young age. I was always terrible at maths and science (in fact, I was so bad at science that after an…incident, my high school chemistry teacher had to watch over my shoulder when I was doing practical work, to make sure I didn’t accidentally blow up the lab), but I loved reading and I loved writing. And I was a romance fan from the beginning. Even my long-suffering Barbie and Ken dolls were put through an epic romantic saga. At one point, Barbie had a terrible fall off a cliff (my bed), lost her memory and temporarily dumped Ken. The amnesia trope: never gets old.

It was watching the Colin Firth and Jennifer Ehle version of Pride & Prejudice, though, that really directed me toward romance novels. I loved the miniseries so much that I read the book, my teacher saw me with it at lunchtime and gave me a copy of Jane Eyre to try, then my mum’s best friend showed me her shelf of Georgette Heyer novels, and that was that. I was about twelve when I realised there was an entire section of romance novels at the library, and at that point I might as well have packed a bag and moved in, because I pretty much lived there.

Again, like many people, writing and publishing a novel was my biggest dream, but it took me quite a long time to make that push and think “I can keep saying ‘I want to do this’ forever, but it’s never going to happen if I don’t actually sit down and try.” You really just have to decide one day: “Now. I’m starting it right now.”

2. Can you share some of your favourite books and authors?

I have so many, and different favourites for different times in my life. There are the books that I turn to when I’m stressed and need a laugh, the books that I’ve read so many times that the characters feel like real people to me, the books that have got me through some very difficult times. To name just a tiny few, in a total mix of genres and no order whatsoever: Jane Austen, Georgette Heyer, P.G. Wodehouse, Agatha Christie, Ngaio Marsh, Nalini Singh, Laura Florand, Julia Byrne, Julia Spencer-Fleming, Laurie R. King, Robin D. Owens, Lois McMaster Bujold, J.K. Rowling, Elizabeth Hoyt, Penny Reid, Eileen Wilks, Susanna Kearsley, Laura Kaye, Kresley Cole, J.D. Robb, Carla Kelly, Pamela Clare, Jenn Bennett, Sarah Mayberry and Julianne Donaldson.

In terms of specific titles, a handful of my all-time favourites: Nalini Singh’s Kiss of Snow, Laura Florand’s The Chocolate Rose and The Chocolate Touch, Julianne Donaldson’s Edenbrooke, and Susanna Kearsley’s The Shadowy Horses.

3. Who/what do you consider your writing influence/inspiration?

I don’t know if I could say any one particular author here. I honestly think that the books you read and love become such a part of you that they do shape your personality as you grow and age, and it’s everything you read and see and hear that channels into your own voice.

4. What kind of stories can the readers expect from you (contemporary/historical/sci-fi, adult/NA/YA, etc)?

Adult contemporary romance, but I’d love to try other genres as well in the future.

5. Please, introduce your latest/upcoming release.

My new release, Pretty Face, is out on February 20. It’s a standalone contemporary, but set in the same world as my previous book, Act Like It—the West End theatres of London. The heroine, Lily Lamprey, is an actor on a primetime period drama/soap opera, where she plays one of the villains of the show and is hopelessly typecast as a man-stealing half-wit. Her dream is to make the move into theatre and prove to the skeptics that she can actually act. She sees an upcoming production as her big chance—if she can put up with the bad-tempered director. Meanwhile, iconic director Luc Savage is appalled that he’s being stuck with the “Marilyn Monroe impersonator” who probably needs direction to tie her own shoes. They don’t expect to like each other. They certainly don’t expect to fall in love. And their relationship has the potential to ruin both Lily’s career and Luc’s reputation.


Highly acclaimed, award-winning author of Act Like It Lucy Parker returns readers to the London stage with laugh-out-loud wit and plenty of drama 

The play's the fling 

It's not actress Lily Lamprey's fault that she's all curves and has the kind of voice that can fog up a camera lens. She wants to prove where her real talents lie—and that's not on a casting couch, thank you. When she hears esteemed director Luc Savage is renovating a legendary West End theater for a lofty new production, she knows it could be her chance—if only Luc wasn't so dictatorial, so bad-tempered and so incredibly sexy. 

Luc Savage has respect, integrity and experience. He also has it bad for Lily. He'd be willing to dismiss it as a midlife crisis, but this exasperating, irresistible woman is actually a very talented actress. Unfortunately, their romance is not only raising questions about Lily's suddenly rising career, it's threatening Luc's professional reputation. The course of true love never did run smooth. But if they're not careful, it could bring down the curtain on boththeir careers… 

Purchase links: Amazon / B&N / Carina Press


Luc Savage looked like Gregory Peck, circa some dapper time between Roman Holiday and To Kill A Mockingbird. There was more bulk in the shoulders, silver in the hair and darkness in the soul; otherwise, the resemblance was uncanny. Lily had seen him once before, at an opening night for another director’s play. The theatre had been full of famous faces that night, and the production distractingly bad, and she hadn’t paid him any particular attention. Her mental image of him had been formed more closely and recently by Jamie’s faithfully repeated insults, so she’d been expecting something more along the lines of an orc.

Any resemblance to Old Hollywood charm ended at his bone structure.

He stood in the doorway to his office, surveying her. When she’d arrived, his secretary had also done a head-to-toe sweep, and then shaken her head in apparent disbelief, which hadn’t built Lily’s confidence.

She stared back at him, directly into his unimpressed grey eyes. She had put a stranglehold on her nerves during the long wait, dialling back from jiggling knees to a bit of subtle nail-picking.

Yet all of a sudden, she wasn’t nervous at all.

This was Luc Savage. Award-winning, career-making, ego-curdling Luc Savage. Get-in-my-way-and-I’ll-crush-you-like-a-bug Luc Savage. And her driving instinct was to touch the tips of her boots to his—and then stand her ground until he stepped back first.

Her spine prickled.

After a long pause that was too charged to be awkward, he stepped forward and extended a hand. “Luc Savage.”

She glanced down at his fingers wrapped around hers. “Lily Lamprey.”

They released each other’s hands; their eyes met again.

Game on.

Author Bio and Links

Lucy Parker lives in the gorgeous Central Otago region of New Zealand, where she feels lucky every day to look out at mountains, lakes, and vineyards. She has a degree in Art History, loves museums and art galleries, and doodles unrecognizable flowers when she has writer’s block. 

When she’s not writing, working or sleeping, she happily tackles the towering pile of to-be-read books that never gets any smaller. Thankfully, there’s always another story waiting. 

Her interest in romantic fiction began with a pre-teen viewing of Jane Austen’s Pride and Prejudice (Firth-style), which prompted her to read the book as well. A family friend introduced her to Georgette Heyer, and the rest was history.

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